Botanical textiles, made by hand in Sri Lanka

A white shirt printed with golden leaf impressions sways gently on a washing line in front of a wall of green vines.

NILA Eco-Print · Botanical textiles from Sri LankaNature,imprintedby hand.

Original botanical textiles shaped by the meeting of nature, material and artistic practice.

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01The craft

Every piece begins with a leaf: laid on cloth, bundled, then opened to discover what it has left behind.

Fresh leaves laid out on white cloth: a large palmate leaf and a broad heart-shaped leaf among smaller sprigs.
Fig. 02 Fresh leaves, laid out on white cloth
A hand lifts dark, steamed leaves away to reveal golden leaf prints beneath.
Fig. 03 The reveal
Close-up of fern fronds and a round, seed-like print on blush-pink cloth.
Fig. 04 Fern and seed, printed on blush
  • Leaf

    Chosen and laid by hand, each leaf brings its own shape, veins and colour.

  • Cloth

    Cotton, silk and other suitable textiles receive the imprint, each in its own way.

  • Choice

    Arrangement, binding and timing are the artist's decisions. The rest is left to nature.

See how a piece is made

02The collection

A small, evolving body of work

Each piece carries the imprint of real plants, so no two are ever quite alike. Explore by collection, or ask about commissions if you are looking for something of your own.

  • No. 011 piece

    Textile Artwork

    Eco-printed panels made to hang on a wall and be lived with.

  • No. 022 pieces

    Botanical Textiles

    Lengths of cloth printed edge to edge with leaves.

  • No. 031 piece

    Wearable Pieces

    Garments that carry the imprint of leaves.

  • No. 041 piece

    Home Décor

    Botanical prints for interiors, made to hold light.

03From leaf to cloth

How a piece comes into being

Seven stages, filmed in the studio. Follow a piece from the first leaf to the drying line.

  1. 01

    Arrange

    Leaves are laid on the cloth one by one. Their placement is the composition.

  2. 02

    Cover & roll

    The arrangement is covered, then rolled tightly around a core.

  3. 03

    Bind

    Each roll is tied into a firm bundle.

  4. 04

    Steam

    The bundles are steamed. Heat and moisture help the leaves release their colour.

  5. 05

    Unwrap

    After steaming, the bundles are opened.

  6. 06

    Reveal

    Leaves are lifted away to reveal their imprint, every vein recorded in colour.

  7. 07

    Dry

    The finished piece dries in the open air.

  1. 01 / 07

    Arrange

    Leaves are laid on the cloth one by one. Their placement is the composition.

  2. 02 / 07

    Cover & roll

    The arrangement is covered, then rolled tightly around a core.

  3. 03 / 07

    Bind

    Each roll is tied into a firm bundle.

  4. 04 / 07

    Steam

    The bundles are steamed. Heat and moisture help the leaves release their colour.

  5. 05 / 07

    Unwrap

    After steaming, the bundles are opened.

  6. 06 / 07

    Reveal

    Leaves are lifted away to reveal their imprint, every vein recorded in colour.

  7. 07 / 07

    Dry

    The finished piece dries in the open air.

04Featured work

Three eco-printed textile panels hung side by side on a white wall: an ivory panel with charcoal and olive leaf prints, a blush-pink centre panel with burgundy leaves, ferns and small flowers, and a pale panel of slate and stone leaf impressions.

No. 01Textile Artwork

Three panels, three moods. On the left, charcoal and olive leaves crowd an ivory ground, their serrated edges crisp and flecked with small dark blooms of colour. At the centre, a blush-pink panel layers burgundy leaves, pale palmate leaves, fern fronds and small flowers into a dense, warm composition. On the right, slate-grey and soft brown impressions drift across a pale ground.

Palette
Stone, Charcoal, Blush, Burgundy, Slate
Availability
Enquire for availability
Close-up of a burgundy leaf print beside a pale palmate leaf on blush-pink cloth.
Close-up of fern fronds and a round, seed-like print on blush-pink cloth.
The eco-printed floor lamp, its shade printed with palmate leaves in sage and moss green, standing in a bright corner.

No. 03Home Décor

A tall, tapering floor lamp whose shade is wrapped in eco-printed cloth. Palmate leaves in sage and moss green climb its length, scattered with smaller leaf prints and fine dark speckles.

Palette
Parchment, Sage, Moss
Availability
Enquire for availability
Close-up of the lamp shade: a palmate leaf print with fine pale veins on warm ivory cloth.
Leaf prints on the lamp shade, lit warmly from within.
Cream cloth printed edge to edge with palmate leaves in sage and olive, umber compound leaves and a few slate-blue leaves.

No. 02Botanical Textiles

Large palmate leaves, hand-shaped with their leaflets radiating from a single point, spread across a cream ground in sage and deep olive, every vein traced in a pale line. Between them sit umber compound leaves and a few prints in deep slate blue, so the eye travels from green to brown to near-black across the cloth.

Palette
Cream, Sage, Olive, Umber, Slate
Availability
Enquire for availability
Close-up of a large palmate leaf print in sage green with pale radiating veins.
Close-up of an umber compound-leaf print with branching veins on cream cloth.
Steamed leaves are peeled away from a cloth printed in umber, olive and charcoal.
Hands lifting steamed leaves from a cloth printed in umber, olive and charcoal on an outdoor table.

05The artist

The practice behind NILA

NILA is an independent botanical textile studio in Sri Lanka, where nature, material and artistic practice meet in cloth.

The studio is led by an eco-printing artist who has invested deeply in learning the craft, through international online courses and hands-on training with experts in Thailand, and who continues to develop it through constant experiment with leaves, fabrics and colour.

Her work spans cotton, silk and other suitable fabrics, and ranges from muted botanical neutrals to richer, deeper colour. Each piece begins with real leaves, laid by hand, and ends with the moment a bundle is opened and the print is seen for the first time.

  1. 01

    International online study

    Courses in eco-printing that built the foundations of her practice.

  2. 02

    Hands-on training in Thailand

    Practical training with experienced eco-printing experts.

  3. 03

    Constant experiment

    An ongoing studio practice of testing leaves, fabrics, arrangements and colour.

Read the full story

06Workshops & education

Learn the craft, by hand

Eco-printing is learned through the hands. NILA welcomes enquiries from individuals, universities, design schools and organisations who would like to explore it.

  1. 01

    Introductory workshops

    A hands-on first encounter with eco-printing, designed for newcomers to the craft.

  2. 02

    Practical demonstrations

    The process shown live, from the first leaf to the moment the cloth is revealed.

  3. 03

    University & institutional sessions

    Sessions shaped around a course, module or programme for universities, design schools and colleges.

  4. 04

    Tailored programmes

    Longer or more specialised learning, designed around your group's goals.

Every session is arranged individually, including its format, dates and group size.

Leaves of many shapes laid out along a long white cloth in the garden.

Fig. 05 Leaves laid out along a long cloth, ready to print

A cream cloth printed with large golden and ochre leaves, moving gently like fabric in a breeze.